Adams, Ellen (2025). 'Accessing Art and Heritage Through a Visual-Spatial Language: In-person and Digital British Sign Language Museum Tours. Journal of Museum Education, 1–12. OPEN ACCESS: https://doi.org/10.1080/10598650.2024.2428515
Adams, Ellen. (2024). 'Audio description for all? The benefits and concerns of extending access provision to sighted people.' Curator: The Museum Journal. OPEN ACCESS: https://doi.org/10.1111/cura.12659.
Adams, Ellen. (2023). 'Teaching visual/material culture and museums in terms of disability access.' In Daniel Libatique and Fiona McHardy (eds), Diversity and the Study of Antiquity in Higher Education: Perspectives from North America and Europe. Routledge: 100-9.
Adams, Ellen (ed.) (2021a). Disability Studies and the Classical Body: The Forgotten Other. Routledge.
Adams, Ellen (2021b). 'Introduction.' In Ellen Adams (ed.), Disability Studies and the Classical Body: The Forgotten Other. Routledge: 1-36.
Adams, Ellen (2021c). 'New light on "the viewer": Sensing the Parthenon galleries in the British Museum.' In Ellen Adams (ed.), Disability Studies and the Classical Body: The Forgotten Other. Routledge: 130-59.
Adams, Ellen. (2020) 'Deafness.' In Christian Laes (ed.), A Cultural History of Disability in Antiquity. Bloomsbury: 85-100.
Adams, Ellen (2018). 'The psychology of prostheses: substitution strategies and notions of normality.' In Jane Draycott (ed.), Prostheses in Antiquity. Routledge: 180-208.
Adams, Ellen (2017). 'Fragmentation and the body's boundaries: reassessing the body in parts.' In Jane Drayott and Emma-Jayne Graham (eds), Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Routledge: 193-213.
Adams, Ellen (2013). 'Shaping, collecting and displaying medicine and architecture: a comparison of the Hungarian and Soane museums.' Journal of the History of Collections 25: 59-75.
Adams, Ellen (2009). 'Defining and displaying the human body: collectors and Classics in London's museums.' Hermathena 187: 65-97.
In preparation
Adams, Ellen. Blindness, Deafness and New Appreciations of Ancient Art. Sensing the Parthenon Galleries in the British Museum. Bloomsbury.